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Home -> George Eliot -> Daniel Deronda -> Book I, Chapter 1

Daniel Deronda - Book I, Chapter 1

1. Book I, Chapter 1

2. Chapter 2

3. Chapter 3

4. Chapter 4

5. Chapter 5

6. Chapter 6

7. Chapter 7

8. Chapter 8

9. Chapter 9

10. Chapter 10

11. Book II, Chapter 11

12. Chapter 12

13. Chapter 13

14. Chapter 14

15. Chapter 15

16. Chapter 16

17. Chapter 17

18. Chapter 18

19. Book III, Chapter 19

20. Chapter 20

21. Chapter 21

22. Chapter 22

23. Chapter 23

24. Chapter 24

25. Chapter 25

26. Chapter 26

27. Chapter 27

28. Book IV, Chapter 28

29. Chapter 29

30. Chapter 30

31. Chapter 31

32. Chapter 32

33. Chapter 33

34. Chapter 34

35. Book V, Chapter 35

36. Chapter 36

37. Chapter 37

38. Chapter 38

39. Chapter 39

40. Chapter 40

41. Book VI, Chapter 41

42. Chapter 42

43. Chapter 43

44. Chapter 44

45. Chapter 45

46. Chapter 46

47. Chapter 47

48. Chapter 48

49. Chapter 49

50. Book VII, Chapter 50

51. Chapter 51

52. Chapter 52

53. Chapter 53

54. Chapter 54

55. Chapter 55

56. Chapter 56

57. Chapter 57

58. Book VIII, Chapter 58

59. Chapter 59

60. Chapter 60

61. Chapter 61

62. Chapter 62

63. Chapter 63

64. Chapter 64

65. Chapter 65

66. Chapter 66

67. Chapter 67

68. Chapter 68

69. Chapter 69

70. Chapter 70



Let thy chief terror be of thine own soul:
There, 'mid the throng of hurrying desires
That trample on the dead to seize their spoil,
Lurks vengeance, footless, irresistible
As exhalations laden with slow death,
And o'er the fairest troop of captured joys
Breathes pallid pestilence.



Men can do nothing without the make-believe of a beginning. Even
science, the strict measurer, is obliged to start with a make-believe
unit, and must fix on a point in the stars' unceasing journey when his
sidereal clock shall pretend that time is at Nought. His less accurate
grandmother Poetry has always been understood to start in the middle;
but on reflection it appears that her proceeding is not very different
from his; since Science, too, reckons backward as well as forward,
divides his unit into billions, and with his clock-finger at Nought
really sets off _in medias res_. No retrospect will take us to
the true beginning; and whether our prologue be in heaven or on earth,
it is but a fraction of that all-presupposing fact with which our
story sets out.

Was she beautiful or not beautiful? and what was the secret of form or
expression which gave the dynamic quality to her glance? Was the good or
the evil genius dominant in those beams? Probably the evil; else why was
the effect that of unrest rather than of undisturbed charm? Why was the
wish to look again felt as coercion and not as a longing in which the
whole being consents?

She who raised these questions in Daniel Deronda's mind was occupied in
gambling: not in the open air under a southern sky, tossing coppers on a
ruined wall, with rags about her limbs; but in one of those splendid
resorts which the enlightenment of ages has prepared for the same species
of pleasure at a heavy cost of guilt mouldings, dark-toned color and
chubby nudities, all correspondingly heavy--forming a suitable condenser
for human breath belonging, in great part, to the highest fashion, and not
easily procurable to be breathed in elsewhere in the like proportion, at
least by persons of little fashion.

It was near four o'clock on a September day, so that the atmosphere was
well-brewed to a visible haze. There was deep stillness, broken only by a
light rattle, a light chink, a small sweeping sound, and an occasional
monotone in French, such as might be expected to issue from an ingeniously
constructed automaton. Round two long tables were gathered two serried
crowds of human beings, all save one having their faces and attention bent
on the tables. The one exception was a melancholy little boy, with his
knees and calves simply in their natural clothing of epidermis, but for
the rest of his person in a fancy dress. He alone had his face turned
toward the doorway, and fixing on it the blank gaze of a bedizened child
stationed as a masquerading advertisement on the platform of an itinerant
show, stood close behind a lady deeply engaged at the roulette-table.

About this table fifty or sixty persons were assembled, many in the outer
rows, where there was occasionally a deposit of new-comers, being mere
spectators, only that one of them, usually a woman, might now and then be
observed putting down a five-franc with a simpering air, just to see what
the passion of gambling really was. Those who were taking their pleasure
at a higher strength, and were absorbed in play, showed very distant
varieties of European type: Livonian and Spanish, Graeco-Italian and
miscellaneous German, English aristocratic and English plebeian. Here
certainly was a striking admission of human equality. The white bejewelled
fingers of an English countess were very near touching a bony, yellow,
crab-like hand stretching a bared wrist to clutch a heap of coin--a hand
easy to sort with the square, gaunt face, deep-set eyes, grizzled
eyebrows, and ill-combed scanty hair which seemed a slight metamorphosis
of the vulture. And where else would her ladyship have graciously
consented to sit by that dry-lipped feminine figure prematurely old,
withered after short bloom like her artificial flowers, holding a shabby
velvet reticule before her, and occasionally putting in her mouth the
point with which she pricked her card? There too, very near the fair
countess, was a respectable London tradesman, blonde and soft-handed, his
sleek hair scrupulously parted behind and before, conscious of circulars
addressed to the nobility and gentry, whose distinguished patronage
enabled him to take his holidays fashionably, and to a certain extent in
their distinguished company. Not his gambler's passion that nullifies
appetite, but a well-fed leisure, which, in the intervals of winning money
in business and spending it showily, sees no better resource than winning
money in play and spending it yet more showily--reflecting always that
Providence had never manifested any disapprobation of his amusement, and
dispassionate enough to leave off if the sweetness of winning much and
seeing others lose had turned to the sourness of losing much and seeing
others win. For the vice of gambling lay in losing money at it. In his
bearing there might be something of the tradesman, but in his pleasures he
was fit to rank with the owners of the oldest titles. Standing close to
his chair was a handsome Italian, calm, statuesque, reaching across him to
place the first pile of napoleons from a new bagful just brought him by an
envoy with a scrolled mustache. The pile was in half a minute pushed over
to an old bewigged woman with eye-glasses pinching her nose. There was a
slight gleam, a faint mumbling smile about the lips of the old woman; but
the statuesque Italian remained impassive, and--probably secure in an
infallible system which placed his foot on the neck of chance--immediately
prepared a new pile. So did a man with the air of an emaciated beau or
worn-out libertine, who looked at life through one eye-glass, and held out
his hand tremulously when he asked for change. It could surely be no
severity of system, but rather some dream of white crows, or the induction
that the eighth of the month was lucky, which inspired the fierce yet
tottering impulsiveness of his play.

But, while every single player differed markedly from every other, there
was a certain uniform negativeness of expression which had the effect of a
mask--as if they had all eaten of some root that for the time compelled
the brains of each to the same narrow monotony of action.

Deronda's first thought when his eyes fell on this scene of dull, gas-
poisoned absorption, was that the gambling of Spanish shepherd-boys had
seemed to him more enviable:--so far Rousseau might be justified in
maintaining that art and science had done a poor service to mankind. But
suddenly he felt the moment become dramatic. His attention was arrested by
a young lady who, standing at an angle not far from him, was the last to
whom his eyes traveled. She was speaking English but the next instant she returned to her play, and showed the full height of a graceful figure, with a face which might possibly be looked at without admiration, but could hardly be passed with indifference.

The inward debate which she raised in Deronda gave to his eyes a growing
expression of scrutiny, tending farther and farther away from the glow of
mingled undefined sensibilities forming admiration. At one moment they
followed the movements of the figure, of the arms and hands, as this
problematic sylph bent forward to deposit her stake with an air of firm
choice; and the next they returned to the face which, at present
unaffected by beholders, was directed steadily toward the game. The sylph
was a winner; and as her taper fingers, delicately gloved in pale-gray,
were adjusting the coins which had been pushed toward her in order to pass
them back again to the winning point, she looked round her with a survey
too markedly cold and neutral not to have in it a little of that nature
which we call art concealing an inward exultation.

But in the course of that survey her eyes met Deronda's, and instead of
averting them as she would have desired to do, she was unpleasantly
conscious that they were arrested--how long? The darting sense that he was
measuring her and looking down on her as an inferior, that he was of
different quality from the human dross around her, that he felt himself in
a region outside and above her, and was examining her as a specimen of a
lower order, roused a tingling resentment which stretched the moment with
conflict. It did not bring the blood to her cheeks, but it sent it away
from her lips. She controlled herself by the help of an inward defiance,
and without other sign of emotion than this lip-paleness turned to her
play. But Deronda's gaze seemed to have acted as an evil eye. Her stake
was gone. No matter; she had been winning ever since she took to roulette
with a few napoleons at command, and had a considerable reserve. She had
begun to believe in her luck, others had begun to believe in it: she had
visions of being followed by a _cortege_ who would worship her as a
goddess of luck and watch her play as a directing augury. Such things had
been known of male gamblers; why should not a woman have a like supremacy?
Her friend and chaperon who had not wished her to play at first was
beginning to approve, only administering the prudent advice to stop at the
right moment and carry money back to England--advice to which Gwendolen
had replied that she cared for the excitement of play, not the winnings.
On that supposition the present moment ought to have made the flood-tide
in her eager experience of gambling. Yet, when her next stake was swept
away, she felt the orbits of her eyes getting hot, and the certainty she
had (without looking) of that man still watching her was something like a
pressure which begins to be torturing. The more reason to her why she
should not flinch, but go on playing as if she were indifferent to loss or
gain. Her friend touched her elbow and proposed that they should quit the
table. For reply Gwendolen put ten louis on the same spot: she was in that
mood of defiance in which the mind loses sight of any end beyond the
satisfaction of enraged resistance; and with the puerile stupidity of a
dominant impulse includes luck among its objects of defiance. Since she
was not winning strikingly, the next best thing was to lose strikingly.
She controlled her muscles, and showed no tremor of mouth or hands. Each
time her stake was swept off she doubled it. Many were now watching her,
but the sole observation she was conscious of was Deronda's, who, though
she never looked toward him, she was sure had not moved away. Such a drama
takes no long while to play out: development and catastrophe can often be
measured by nothing clumsier than the moment-hand. "Faites votre jeu,
mesdames et messieurs," said the automatic voice of destiny from between
the mustache and imperial of the croupier: and Gwendolen's arm was
stretched to deposit her last poor heap of napoleons. "Le jeu ne va plus,"
said destiny. And in five seconds Gwendolen turned from the table, but
turned resolutely with her face toward Deronda and looked at him. There
was a smile of irony in his eyes as their glances met; but it was at least
better that he should have disregarded her as one of an insect swarm who
had no individual physiognomy. Besides, in spite of his superciliousness
and irony, it was difficult to believe that he did not admire her spirit
as well as her person: he was young, handsome, distinguished in
appearance--not one of these ridiculous and dowdy Philistines who thought
it incumbent on them to blight the gaming-table with a sour look of
protest as they passed by it. The general conviction that we are admirable
does not easily give way before a single negative; rather when any of
Vanity's large family, male or female, find their performance received
coldly, they are apt to believe that a little more of it will win over the
unaccountable dissident. In Gwendolen's habits of mind it had been taken
for granted that she knew what was admirable and that she herself was
admired. This basis of her thinking had received a disagreeable
concussion, and reeled a little, but was not easily to be overthrown.

In the evening the same room was more stiflingly heated, was brilliant
with gas and with the costumes of ladies who floated their trains along it
or were seated on the ottomans.

The Nereid in sea-green robes and silver ornaments, with a pale sea-green
feather fastened in silver falling backward over her green hat and light
brown hair, was Gwendolen Harleth. She was under the wing, or rather
soared by the shoulder, of the lady who had sat by her at the roulette-
table; and with them was a gentleman with a white mustache and clipped
hair: solid-browed, stiff and German. They were walking about or standing
to chat with acquaintances, and Gwendolen was much observed by the seated

"A striking girl--that Miss Harleth--unlike others."

"Yes, she has got herself up as a sort of serpent now--all green and
silver, and winds her neck about a little more than usual."

"Oh, she must always be doing something extraordinary. She is that kind of
girl, I fancy. Do you think her pretty, Mr. Vandernoodt?"

"Very. A man might risk hanging for her--I mean a fool might."

"You like a _nez retrousse_", then, and long narrow eyes?"

"When they go with such an _ensemble_."

"The _ensemble du serpent_?"

"If you will. Woman was tempted by a serpent; why not man?"

"She is certainly very graceful; but she wants a tinge of color in her
cheeks. It is a sort of Lamia beauty she has."

"On the contrary, I think her complexion one of her chief charms. It is a
warm paleness; it looks thoroughly healthy. And that delicate nose with
its gradual little upward curve is distracting. And then her mouth--there
never was a prettier mouth, the lips curled backward so finely, eh,

"Think so? I cannot endure that sort of mouth. It looks so self-
complacent, as if it knew its own beauty--the curves are too immovable. I
like a mouth that trembles more."

"For my part, I think her odious," said a dowager. "It is wonderful what
unpleasant girls get into vogue. Who are these Langens? Does anybody know

"They are quite _comme il faut_. I have dined with them several times at
the _Russie_. The baroness is English. Miss Harleth calls her cousin. The
girl herself is thoroughly well-bred, and as clever as possible."

"Dear me! and the baron?".

"A very good furniture picture."

"Your baroness is always at the roulette-table," said Mackworth. "I fancy
she has taught the girl to gamble."

"Oh, the old woman plays a very sober game; drops a ten-franc piece here
and there. The girl is more headlong. But it is only a freak."

"I hear she has lost all her winnings to-day. Are they rich? Who knows?"

"Ah, who knows? Who knows that about anybody?" said Mr. Vandernoodt,
moving off to join the Langens.

The remark that Gwendolen wound her neck about more than usual this
evening was true. But it was not that she might carry out the serpent idea
more completely: it was that she watched for any chance of seeing Deronda,
so that she might inquire about this stranger, under whose measuring gaze
she was still wincing. At last her opportunity came.

"Mr. Vandernoodt, you know everybody," said Gwendolen, not too eagerly,
rather with a certain languor of utterance which she sometimes gave to her
clear soprano. "Who is that near the door?"

"There are half a dozen near the door. Do you mean that old Adonis in the
George the Fourth wig?"

"No, no; the dark-haired young man on the right with the dreadful

"Dreadful, do you call it? I think he is an uncommonly fine fellow."

"But who is he?"

"He is lately come to our hotel with Sir Hugo Mallinger."

"Sir Hugo Mallinger?"

"Yes. Do you know him?"

"No." (Gwendolen colored slightly.) "He has a place near us, but he never
comes to it. What did you say was the name of that gentleman near the

"Deronda--Mr. Deronda."

"What a delightful name! Is he an Englishman?"

"Yes. He is reported to be rather closely related to the baronet. You are
interested in him?"

"Yes. I think he is not like young men in general."

"And you don't admire young men in general?"

"Not in the least. I always know what they will say. I can't at all guess
what this Mr. Deronda would say. What _does_ he say?"

"Nothing, chiefly. I sat with his party for a good hour last night on the
terrace, and he never spoke--and was not smoking either. He looked bored."

"Another reason why I should like to know him. I am always bored."

"I should think he would be charmed to have an introduction. Shall I bring
it about? Will you allow it, baroness?"

"Why not?--since he is related to Sir Hugo Mallinger. It is a new _role_
of yours, Gwendolen, to be always bored," continued Madame von Langen,
when Mr. Vandernoodt had moved away. "Until now you have always seemed
eager about something from morning till night."

"That is just because I am bored to death. If I am to leave off play I
must break my arm or my collar-bone. I must make something happen; unless
you will go into Switzerland and take me up the Matterhorn."

"Perhaps this Mr. Deronda's acquaintance will do instead of the


But Gwendolen did not make Deronda's acquaintance on this occasion. Mr.
Vandernoodt did not succeed in bringing him up to her that evening, and
when she re-entered her own room she found a letter recalling her home.

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