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Les MisÚrables - Continuation of the Enigma

1. M. Myriel

2. M. Myriel becomes M. Welcome

3. A Hard Bishopric for a Good Bishop

4. Works corresponding to Words

5. Monseigneur Bienvenu made his Cassocks last too long

6. Who guarded his House for him

7. Cravatte

8. Philosophy after Drinking

9. The Brother as depicted by the Sister

10. The Bishop in the Presence of an Unknown Light

11. A Restriction

12. The Solitude of Monseigneur Welcome

13. What he believed

14. What he thought

15. The Evening of a Day of Walking

16. Prudence counselled to Wisdom

17. The Heroism of Passive Obedience

18. Details concerning the Cheese-Dairies of Pontarlier

19. Tranquillity

20. Jean Valjean

21. The Interior of Despair

22. Billows and Shadows

23. New Troubles

24. The Man aroused

25. What he does

26. The Bishop works

27. Little Gervais

28. The Year 1817

29. A Double Quartette

30. Four and Four

31. Tholomyes is so Merry that he sings a Spanish Ditty

32. At Bombardas

33. A Chapter in which they adore Each Other

34. The Wisdom of Tholomyes

35. The Death of a Horse

36. A Merry End to Mirth

37. One Mother meets Another Mother

38. First Sketch of Two Unprepossessing Figures

39. The Lark

40. The History of a Progress in Black Glass Trinkets

41. Madeleine

42. Sums deposited with Laffitte

43. M. Madeleine in Mourning

44. Vague Flashes on the Horizon

45. Father Fauchelevent

46. Fauchelevent becomes a Gardener in Paris

47. Madame Victurnien expends Thirty Francs on Morality

48. Madame Victurnien's Success

49. Result of the Success

50. Christus nos Liberavit

51. M. Bamatabois's Inactivity

52. The Solution of Some Questions connected with the Municipal Police

53. The Beginning of Repose

54. How Jean may become Champ

55. Sister Simplice

56. The Perspicacity of Master Scaufflaire

57. A Tempest in a Skull

58. Forms assumed by Suffering during Sleep

59. Hindrances

60. Sister Simplice put to the Proof

61. The Traveller on his Arrival takes Precautions for Departure

62. An Entrance by Favor

63. A Place where Convictions are in Process of Formation

64. The System of Denials

65. Champmathieu more and more Astonished

66. In what Mirror M. Madeleine contemplates his Hair

67. Fantine Happy

68. Javert Satisfied

69. Authority reasserts its Rights

70. A Suitable Tomb

71. What is met with on the Way from Nivelles

72. Hougomont

73. The Eighteenth of June, 1815

74. A

75. The Quid Obscurum of Battles

76. Four o'clock in the Afternoon

77. Napoleon in a Good Humor

78. The Emperor puts a Question to the Guide Lacoste

79. The Unexpected

80. The Plateau of Mont-Saint-Jean

81. A Bad Guide to Napoleon; a Good Guide to Bulow

82. The Guard

83. The Catastrophe

84. The Last Square

85. Cambronne

86. Quot Libras in Duce?

87. Is Waterloo to be considered Good?

88. A Recrudescence of Divine Right

89. The Battle-Field at Night

90. Number 24,601 becomes Number 9,430

91. In which the reader will peruse Two Verses which are of the Devil's Composition possibly

92. The Ankle-Chain must have undergone a Certain Preparatory Manipulation to be thus broken with a Blow from a Hammer

93. The Water Question at Montfermeil

94. Two Complete Portraits

95. Men must have Wine, and Horses must have Water

96. Entrance on the Scene of a Doll

97. The Little One All Alone

98. Which possibly proves Boulatruelle's Intelligence

99. Cosette Side by Side with the Stranger in the Dark

100. The Unpleasantness of receiving into One's House a Poor Man who may be a Rich Man

101. Thenardier at his Manoeuvres

102. He who seeks to better himself may render his Situation Worse

103. Number 9,430 reappears, and Cosette wins it in the Lottery

104. Master Gorbeau

105. A Nest for Owl and a Warbler

106. Two Misfortunes Make One Piece of Good Fortune

107. The Remarks of the Principal Tenant

108. A Five-Franc Piece Falls on the Ground and Produces a Tumult

109. The Zigzags of Strategy

110. It Is Lucky That the Pont D'Austerlitz Bears Carriages

111. To Wit, the Plan of Paris in 1727

112. The Gropings of Flight

113. Which Would be Impossible With Gas Lanterns

114. The Beginning of an Enigma

115. Continuation of the Enigma

116. The Enigma Becomes Doubly Mysterious

117. The Man with the Bell

118. Which Explains How Javert Got on the Scent

119. Number 62 Rue Petit-Picpus

120. The Obedience of Martin Verga

121. Austerities

122. Gayeties

123. Distractions

124. The Little Convent

125. Some Silhouettes of this Darkness

126. Post Corda Lapides

127. A Century under a Guimpe

128. Origin of the Perpetual Adoration

129. End of the Petit-Picpus

130. The Convent as an Abstract Idea

131. The Convent as an Historical Fact

132. On What Conditions One can respect the Past

133. The Convent from the Point of View of Principles

134. Prayer

135. The Absolute Goodness of Prayer

136. Precautions to be observed in Blame

137. Faith, Law

138. Which treats of the Manner of entering a Convent

139. Fauchelevent in the Presence of a Difficulty

140. Mother Innocente

141. In which Jean Valjean has quite the Air of having read Austin Castillejo

142. It is not Necessary to be Drunk in order to be Immortal

143. Between Four Planks

144. In which will be found the Origin of the Saying: Don't lose the Card

145. A Successful Interrogatory

146. Cloistered

The night wind had risen, which indicated that it must be between
one and two o'clock in the morning. Poor Cosette said nothing.
As she had seated herself beside him and leaned her head against him,
Jean Valjean had fancied that she was asleep. He bent down and
looked at her. Cosette's eyes were wide open, and her thoughtful
air pained Jean Valjean.

She was still trembling.

"Are you sleepy?" said Jean Valjean.

"I am very cold," she replied.

A moment later she resumed:--

"Is she still there?"

"Who?" said Jean Valjean.

"Madame Thenardier."

Jean Valjean had already forgotten the means which he had employed
to make Cosette keep silent.

"Ah!" said he, "she is gone. You need fear nothing further."

The child sighed as though a load had been lifted from her breast.

The ground was damp, the shed open on all sides, the breeze grew
more keen every instant. The goodman took off his coat and wrapped
it round Cosette.

"Are you less cold now?" said he.

"Oh, yes, father."

"Well, wait for me a moment. I will soon be back."

He quitted the ruin and crept along the large building, seeking a
better shelter. He came across doors, but they were closed.
There were bars at all the windows of the ground floor.

Just after he had turned the inner angle of the edifice, he observed
that he was coming to some arched windows, where he perceived a light.
He stood on tiptoe and peeped through one of these windows.
They all opened on a tolerably vast hall, paved with large flagstones,
cut up by arcades and pillars, where only a tiny light and great
shadows were visible. The light came from a taper which was
burning in one corner. The apartment was deserted, and nothing
was stirring in it. Nevertheless, by dint of gazing intently he
thought he perceived on the ground something which appeared to be
covered with a winding-sheet, and which resembled a human form.
This form was lying face downward, flat on the pavement, with the
arms extended in the form of a cross, in the immobility of death.
One would have said, judging from a sort of serpent which undulated
over the floor, that this sinister form had a rope round its neck.

The whole chamber was bathed in that mist of places which are
sparely illuminated, which adds to horror.

Jean Valjean often said afterwards, that, although many funereal
spectres had crossed his path in life, he had never beheld anything more
blood-curdling and terrible than that enigmatical form accomplishing
some inexplicable mystery in that gloomy place, and beheld thus
at night. It was alarming to suppose that that thing was perhaps dead;
and still more alarming to think that it was perhaps alive.

He had the courage to plaster his face to the glass, and to watch whether
the thing would move. In spite of his remaining thus what seemed
to him a very long time, the outstretched form made no movement.
All at once he felt himself overpowered by an inexpressible terror,
and he fled. He began to run towards the shed, not daring to
look behind him. It seemed to him, that if he turned his head,
he should see that form following him with great strides and waving
its arms.

He reached the ruin all out of breath. His knees were giving way
beneath him; the perspiration was pouring from him.

Where was he? Who could ever have imagined anything like that sort
of sepulchre in the midst of Paris! What was this strange house?
An edifice full of nocturnal mystery, calling to souls through the
darkness with the voice of angels, and when they came, offering them
abruptly that terrible vision; promising to open the radiant portals
of heaven, and then opening the horrible gates of the tomb! And it
actually was an edifice, a house, which bore a number on the street!
It was not a dream! He had to touch the stones to convince himself
that such was the fact.

Cold, anxiety, uneasiness, the emotions of the night, had given
him a genuine fever, and all these ideas were clashing together
in his brain.

He stepped up to Cosette. She was asleep.

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