CHAPTER II

THE CONVENT AS AN HISTORICAL FACT


From the point of view of history, of reason, and of truth,
monasticism is condemned. Monasteries, when they abound in a nation,
are clogs in its circulation, cumbrous establishments, centres of
idleness where centres of labor should exist. Monastic communities
are to the great social community what the mistletoe is to the oak,
what the wart is to the human body. Their prosperity and their
fatness mean the impoverishment of the country. The monastic regime,
good at the beginning of civilization, useful in the reduction
of the brutal by the spiritual, is bad when peoples have reached
their manhood. Moreover, when it becomes relaxed, and when it
enters into its period of disorder, it becomes bad for the very
reasons which rendered it salutary in its period of purity,
because it still continues to set the example.

Claustration has had its day. Cloisters, useful in the early education
of modern civilization, have embarrassed its growth, and are injurious
to its development. So far as institution and formation with relation
to man are concerned, monasteries, which were good in the tenth century,
questionable in the fifteenth, are detestable in the nineteenth.
The leprosy of monasticism has gnawed nearly to a skeleton two
wonderful nations, Italy and Spain; the one the light, the other
the splendor of Europe for centuries; and, at the present day,
these two illustrious peoples are but just beginning to convalesce,
thanks to the healthy and vigorous hygiene of 1789 alone.

The convent--the ancient female convent in particular, such as it still
presents itself on the threshold of this century, in Italy, in Austria,
in Spain--is one of the most sombre concretions of the Middle Ages.
The cloister, that cloister, is the point of intersection of horrors.
The Catholic cloister, properly speaking, is wholly filled with the
black radiance of death.

The Spanish convent is the most funereal of all. There rise,
in obscurity, beneath vaults filled with gloom, beneath domes
vague with shadow, massive altars of Babel, as high as cathedrals;
there immense white crucifixes hang from chains in the dark;
there are extended, all nude on the ebony, great Christs of ivory;
more than bleeding,--bloody; hideous and magnificent, with their elbows
displaying the bones, their knee-pans showing their integuments,
their wounds showing their flesh, crowned with silver thorns,
nailed with nails of gold, with blood drops of rubies on their brows,
and diamond tears in their eyes. The diamonds and rubies seem wet,
and make veiled beings in the shadow below weep, their sides bruised
with the hair shirt and their iron-tipped scourges, their breasts
crushed with wicker hurdles, their knees excoriated with prayer;
women who think themselves wives, spectres who think themselves seraphim.
Do these women think? No. Have they any will? No. Do they love?
No. Do they live? No. Their nerves have turned to bone; their bones
have turned to stone. Their veil is of woven night. Their breath
under their veil resembles the indescribably tragic respiration
of death. The abbess, a spectre, sanctifies them and terrifies them.
The immaculate one is there, and very fierce. Such are the ancient
monasteries of Spain. Liars of terrible devotion, caverns of virgins,
ferocious places.

Catholic Spain is more Roman than Rome herself. The Spanish convent was,
above all others, the Catholic convent. There was a flavor of
the Orient about it. The archbishop, the kislar-aga of heaven,
locked up and kept watch over this seraglio of souls reserved
for God. The nun was the odalisque, the priest was the eunuch.
The fervent were chosen in dreams and possessed Christ.
At night, the beautiful, nude young man descended from the cross
and became the ecstasy of the cloistered one. Lofty walls guarded
the mystic sultana, who had the crucified for her sultan, from all
living distraction. A glance on the outer world was infidelity.
The in pace replaced the leather sack. That which was cast into
the sea in the East was thrown into the ground in the West.
In both quarters, women wrung their hands; the waves for the first,
the grave for the last; here the drowned, there the buried.
Monstrous parallel.

To-day the upholders of the past, unable to deny these things,
have adopted the expedient of smiling at them. There has come into
fashion a strange and easy manner of suppressing the revelations
of history, of invalidating the commentaries of philosophy,
of eliding all embarrassing facts and all gloomy questions. A matter
for declamations, say the clever. Declamations, repeat the foolish.
Jean-Jacques a declaimer; Diderot a declaimer; Voltaire on Calas,
Labarre, and Sirven, declaimers. I know not who has recently
discovered that Tacitus was a declaimer, that Nero was a victim,
and that pity is decidedly due to "that poor Holofernes."

Facts, however, are awkward things to disconcert, and they are obstinate.
The author of this book has seen, with his own eyes, eight leagues
distant from Brussels,--there are relics of the Middle Ages there
which are attainable for everybody,--at the Abbey of Villers,
the hole of the oubliettes, in the middle of the field which was
formerly the courtyard of the cloister, and on the banks of the Thil,
four stone dungeons, half under ground, half under the water.
They were in pace. Each of these dungeons has the remains of an
iron door, a vault, and a grated opening which, on the outside,
is two feet above the level of the river, and on the inside,
six feet above the level of the ground. Four feet of river flow
past along the outside wall. The ground is always soaked.
The occupant of the in pace had this wet soil for his bed.
In one of these dungeons, there is a fragment of an iron necklet
riveted to the wall; in another, there can be seen a square box made
of four slabs of granite, too short for a person to lie down in,
too low for him to stand upright in. A human being was put inside,
with a coverlid of stone on top. This exists. It can be seen.
It can be touched. These in pace, these dungeons, these iron hinges,
these necklets, that lofty peep-hole on a level with the river's current,
that box of stone closed with a lid of granite like a tomb,
with this difference, that the dead man here was a living being,
that soil which is but mud, that vault hole, those oozing walls,--
what declaimers!