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Les MisÚrables - What he does

1. M. Myriel

2. M. Myriel becomes M. Welcome

3. A Hard Bishopric for a Good Bishop

4. Works corresponding to Words

5. Monseigneur Bienvenu made his Cassocks last too long

6. Who guarded his House for him

7. Cravatte

8. Philosophy after Drinking

9. The Brother as depicted by the Sister

10. The Bishop in the Presence of an Unknown Light

11. A Restriction

12. The Solitude of Monseigneur Welcome

13. What he believed

14. What he thought

15. The Evening of a Day of Walking

16. Prudence counselled to Wisdom

17. The Heroism of Passive Obedience

18. Details concerning the Cheese-Dairies of Pontarlier

19. Tranquillity

20. Jean Valjean

21. The Interior of Despair

22. Billows and Shadows

23. New Troubles

24. The Man aroused

25. What he does

26. The Bishop works

27. Little Gervais

28. The Year 1817

29. A Double Quartette

30. Four and Four

31. Tholomyes is so Merry that he sings a Spanish Ditty

32. At Bombardas

33. A Chapter in which they adore Each Other

34. The Wisdom of Tholomyes

35. The Death of a Horse

36. A Merry End to Mirth

37. One Mother meets Another Mother

38. First Sketch of Two Unprepossessing Figures

39. The Lark

40. The History of a Progress in Black Glass Trinkets

41. Madeleine

42. Sums deposited with Laffitte

43. M. Madeleine in Mourning

44. Vague Flashes on the Horizon

45. Father Fauchelevent

46. Fauchelevent becomes a Gardener in Paris

47. Madame Victurnien expends Thirty Francs on Morality

48. Madame Victurnien's Success

49. Result of the Success

50. Christus nos Liberavit

51. M. Bamatabois's Inactivity

52. The Solution of Some Questions connected with the Municipal Police

53. The Beginning of Repose

54. How Jean may become Champ

55. Sister Simplice

56. The Perspicacity of Master Scaufflaire

57. A Tempest in a Skull

58. Forms assumed by Suffering during Sleep

59. Hindrances

60. Sister Simplice put to the Proof

61. The Traveller on his Arrival takes Precautions for Departure

62. An Entrance by Favor

63. A Place where Convictions are in Process of Formation

64. The System of Denials

65. Champmathieu more and more Astonished

66. In what Mirror M. Madeleine contemplates his Hair

67. Fantine Happy

68. Javert Satisfied

69. Authority reasserts its Rights

70. A Suitable Tomb

71. What is met with on the Way from Nivelles

72. Hougomont

73. The Eighteenth of June, 1815

74. A

75. The Quid Obscurum of Battles

76. Four o'clock in the Afternoon

77. Napoleon in a Good Humor

78. The Emperor puts a Question to the Guide Lacoste

79. The Unexpected

80. The Plateau of Mont-Saint-Jean

81. A Bad Guide to Napoleon; a Good Guide to Bulow

82. The Guard

83. The Catastrophe

84. The Last Square

85. Cambronne

86. Quot Libras in Duce?

87. Is Waterloo to be considered Good?

88. A Recrudescence of Divine Right

89. The Battle-Field at Night

90. Number 24,601 becomes Number 9,430

91. In which the reader will peruse Two Verses which are of the Devil's Composition possibly

92. The Ankle-Chain must have undergone a Certain Preparatory Manipulation to be thus broken with a Blow from a Hammer

93. The Water Question at Montfermeil

94. Two Complete Portraits

95. Men must have Wine, and Horses must have Water

96. Entrance on the Scene of a Doll

97. The Little One All Alone

98. Which possibly proves Boulatruelle's Intelligence

99. Cosette Side by Side with the Stranger in the Dark

100. The Unpleasantness of receiving into One's House a Poor Man who may be a Rich Man

101. Thenardier at his Manoeuvres

102. He who seeks to better himself may render his Situation Worse

103. Number 9,430 reappears, and Cosette wins it in the Lottery

104. Master Gorbeau

105. A Nest for Owl and a Warbler

106. Two Misfortunes Make One Piece of Good Fortune

107. The Remarks of the Principal Tenant

108. A Five-Franc Piece Falls on the Ground and Produces a Tumult

109. The Zigzags of Strategy

110. It Is Lucky That the Pont D'Austerlitz Bears Carriages

111. To Wit, the Plan of Paris in 1727

112. The Gropings of Flight

113. Which Would be Impossible With Gas Lanterns

114. The Beginning of an Enigma

115. Continuation of the Enigma

116. The Enigma Becomes Doubly Mysterious

117. The Man with the Bell

118. Which Explains How Javert Got on the Scent

119. Number 62 Rue Petit-Picpus

120. The Obedience of Martin Verga

121. Austerities

122. Gayeties

123. Distractions

124. The Little Convent

125. Some Silhouettes of this Darkness

126. Post Corda Lapides

127. A Century under a Guimpe

128. Origin of the Perpetual Adoration

129. End of the Petit-Picpus

130. The Convent as an Abstract Idea

131. The Convent as an Historical Fact

132. On What Conditions One can respect the Past

133. The Convent from the Point of View of Principles

134. Prayer

135. The Absolute Goodness of Prayer

136. Precautions to be observed in Blame

137. Faith, Law

138. Which treats of the Manner of entering a Convent

139. Fauchelevent in the Presence of a Difficulty

140. Mother Innocente

141. In which Jean Valjean has quite the Air of having read Austin Castillejo

142. It is not Necessary to be Drunk in order to be Immortal

143. Between Four Planks

144. In which will be found the Origin of the Saying: Don't lose the Card

145. A Successful Interrogatory

146. Cloistered

Jean Valjean listened. Not a sound.

He gave the door a push.

He pushed it gently with the tip of his finger, lightly, with the
furtive and uneasy gentleness of a cat which is desirous of entering.

The door yielded to this pressure, and made an imperceptible
and silent movement, which enlarged the opening a little.

He waited a moment; then gave the door a second and a bolder push.

It continued to yield in silence. The opening was now large enough
to allow him to pass. But near the door there stood a little table,
which formed an embarrassing angle with it, and barred the entrance.

Jean Valjean recognized the difficulty. It was necessary, at any cost,
to enlarge the aperture still further.

He decided on his course of action, and gave the door a third push,
more energetic than the two preceding. This time a badly oiled hinge
suddenly emitted amid the silence a hoarse and prolonged cry.

Jean Valjean shuddered. The noise of the hinge rang in his ears
with something of the piercing and formidable sound of the trump
of the Day of Judgment.

In the fantastic exaggerations of the first moment he almost imagined
that that hinge had just become animated, and had suddenly assumed
a terrible life, and that it was barking like a dog to arouse every one,
and warn and to wake those who were asleep. He halted, shuddering,
bewildered, and fell back from the tips of his toes upon his heels.
He heard the arteries in his temples beating like two forge hammers,
and it seemed to him that his breath issued from his breast with
the roar of the wind issuing from a cavern. It seemed impossible
to him that the horrible clamor of that irritated hinge should not
have disturbed the entire household, like the shock of an earthquake;
the door, pushed by him, had taken the alarm, and had shouted;
the old man would rise at once; the two old women would shriek out;
people would come to their assistance; in less than a quarter of an
hour the town would be in an uproar, and the gendarmerie on hand.
For a moment he thought himself lost.

He remained where he was, petrified like the statue of salt,
not daring to make a movement. Several minutes elapsed. The door
had fallen wide open. He ventured to peep into the next room.
Nothing had stirred there. He lent an ear. Nothing was moving
in the house. The noise made by the rusty hinge had not awakened
any one.

This first danger was past; but there still reigned a frightful
tumult within him. Nevertheless, he did not retreat. Even when he
had thought himself lost, he had not drawn back. His only thought
now was to finish as soon as possible. He took a step and entered
the room.

This room was in a state of perfect calm. Here and there vague
and confused forms were distinguishable, which in the daylight were
papers scattered on a table, open folios, volumes piled upon a stool,
an arm-chair heaped with clothing, a prie-Dieu, and which at that hour
were only shadowy corners and whitish spots. Jean Valjean advanced
with precaution, taking care not to knock against the furniture.
He could hear, at the extremity of the room, the even and tranquil
breathing of the sleeping Bishop.

He suddenly came to a halt. He was near the bed. He had arrived
there sooner than he had thought for.

Nature sometimes mingles her effects and her spectacles with our
actions with sombre and intelligent appropriateness, as though she
desired to make us reflect. For the last half-hour a large cloud
had covered the heavens. At the moment when Jean Valjean paused
in front of the bed, this cloud parted, as though on purpose,
and a ray of light, traversing the long window, suddenly illuminated
the Bishop's pale face. He was sleeping peacefully. He lay in
his bed almost completely dressed, on account of the cold of the
Basses-Alps, in a garment of brown wool, which covered his arms to
the wrists. His head was thrown back on the pillow, in the careless
attitude of repose; his hand, adorned with the pastoral ring,
and whence had fallen so many good deeds and so many holy actions,
was hanging over the edge of the bed. His whole face was illumined
with a vague expression of satisfaction, of hope, and of felicity.
It was more than a smile, and almost a radiance. He bore upon his
brow the indescribable reflection of a light which was invisible.
The soul of the just contemplates in sleep a mysterious heaven.

A reflection of that heaven rested on the Bishop.

It was, at the same time, a luminous transparency, for that heaven
was within him. That heaven was his conscience.

At the moment when the ray of moonlight superposed itself, so to speak,
upon that inward radiance, the sleeping Bishop seemed as in a glory.
It remained, however, gentle and veiled in an ineffable half-light. That
moon in the sky, that slumbering nature, that garden without a quiver,
that house which was so calm, the hour, the moment, the silence,
added some solemn and unspeakable quality to the venerable repose
of this man, and enveloped in a sort of serene and majestic aureole
that white hair, those closed eyes, that face in which all was hope
and all was confidence, that head of an old man, and that slumber
of an infant.

There was something almost divine in this man, who was thus august,
without being himself aware of it.

Jean Valjean was in the shadow, and stood motionless, with his iron
candlestick in his hand, frightened by this luminous old man.
Never had he beheld anything like this. This confidence terrified him.
The moral world has no grander spectacle than this: a troubled and
uneasy conscience, which has arrived on the brink of an evil action,
contemplating the slumber of the just.

That slumber in that isolation, and with a neighbor like himself,
had about it something sublime, of which he was vaguely but
imperiously conscious.

No one could have told what was passing within him, not even himself.
In order to attempt to form an idea of it, it is necessary to think
of the most violent of things in the presence of the most gentle.
Even on his visage it would have been impossible to distinguish
anything with certainty. It was a sort of haggard astonishment.
He gazed at it, and that was all. But what was his thought?
It would have been impossible to divine it. What was evident was,
that he was touched and astounded. But what was the nature of this

His eye never quitted the old man. The only thing which was clearly to be
inferred from his attitude and his physiognomy was a strange indecision.
One would have said that he was hesitating between the two abysses,--
the one in which one loses one's self and that in which one saves
one's self. He seemed prepared to crush that skull or to kiss that hand.

At the expiration of a few minutes his left arm rose slowly towards
his brow, and he took off his cap; then his arm fell back with the
same deliberation, and Jean Valjean fell to meditating once more,
his cap in his left hand, his club in his right hand, his hair
bristling all over his savage head.

The Bishop continued to sleep in profound peace beneath that
terrifying gaze.

The gleam of the moon rendered confusedly visible the crucifix
over the chimney-piece, which seemed to be extending its arms
to both of them, with a benediction for one and pardon for the other.

Suddenly Jean Valjean replaced his cap on his brow; then stepped
rapidly past the bed, without glancing at the Bishop, straight to
the cupboard, which he saw near the head; he raised his iron
candlestick as though to force the lock; the key was there;
he opened it; the first thing which presented itself to him was
the basket of silverware; he seized it, traversed the chamber with
long strides, without taking any precautions and without troubling
himself about the noise, gained the door, re-entered the oratory,
opened the window, seized his cudgel, bestrode the window-sill
of the ground-floor, put the silver into his knapsack, threw away
the basket, crossed the garden, leaped over the wall like a tiger,
and fled.

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