home | authors | books | about

Home -> P.G. Wodehouse -> Indiscretions of Archie -> Chapter 25

Indiscretions of Archie - Chapter 25

1. Chapter 1

2. Chapter 2

3. Chapter 3

4. Chapter 4

5. Chapter 5

6. Chapter 6

7. Chapter 7

8. Chapter 8

9. Chapter 9

10. Chapter 10

11. Chapter 11

12. Chapter 12

13. Chapter 13

14. Chapter 14

15. Chapter 15

16. Chapter 16

17. Chapter 17

18. Chapter 18

19. Chapter 19

20. Chapter 20

21. Chapter 21

22. Chapter 22

23. Chapter 23

24. Chapter 24

25. Chapter 25

26. Chapter 26

27. Dedication and Contents



The morning was so brilliantly fine; the populace popped to and fro
in so active and cheery a manner; and everybody appeared to be so
absolutely in the pink, that a casual observer of the city of New
York would have said that it was one of those happy days. Yet Archie
Moffam, as he turned out of the sun-bathed street into the
ramshackle building on the third floor of which was the studio
belonging to his artist friend, James B. Wheeler, was faintly
oppressed with a sort of a kind of feeling that something was wrong.
He would not have gone so far as to say that he had the pip--it was
more a vague sense of discomfort. And, searching for first causes as
he made his way upstairs, he came to the conclusion that the person
responsible for this nebulous depression was his wife, Lucille. It
seemed to Archie that at breakfast that morning Lucille's manner had
been subtly rummy. Nothing you could put your finger on, still--

Musing thus, he reached the studio, and found the door open and the
room empty. It had the air of a room whose owner has dashed in to
fetch his golf-clubs and biffed off, after the casual fashion of the
artist temperament, without bothering to close up behind him. And
such, indeed, was the case. The studio had seen the last of J. B.
Wheeler for that day: but Archie, not realising this and feeling
that a chat with Mr. Wheeler, who was a light-hearted bird, was what
he needed this morning, sat down to wait. After a few moments, his
gaze, straying over the room, encountered a handsomely framed
picture, and he went across to take a look at it.

J. B. Wheeler was an artist who made a large annual income as an
illustrator for the magazines, and it was a surprise to Archie to
find that he also went in for this kind of thing. For the picture,
dashingly painted in oils, represented a comfortably plump young
woman who, from her rather weak-minded simper and the fact that she
wore absolutely nothing except a small dove on her left shoulder,
was plainly intended to be the goddess Venus. Archie was not much of
a lad around the picture-galleries, but he knew enough about Art to
recognise Venus when he saw her; though once or twice, it is true,
artists had double-crossed him by ringing in some such title as "Day
Dreams," or "When the Heart is Young."

He inspected this picture for awhile, then, returning to his seat,
lit a cigarette and began to meditate on Lucille once more. "Yes,
the dear girl had been rummy at breakfast. She had not exactly said
anything or done anything out of the ordinary; but--well, you know
how it is. We husbands, we lads of the for-better-or-for-worse
brigade, we learn to pierce the mask. There had been in Lucille's
manner that curious, strained sweetness which comes to women whose
husbands have failed to match the piece of silk or forgotten to post
an important letter. If his conscience had not been as clear as
crystal, Archie would have said that that was what must have been
the matter. But, when Lucille wrote letters, she just stepped out of
the suite and dropped them in the mail-chute attached to the
elevator. It couldn't be that. And he couldn't have forgotten
anything else, because--"

"Oh my sainted aunt!"

Archie's cigarette smouldered, neglected, between his fingers. His
jaw had fallen and his eyes were staring glassily before him. He was
appalled. His memory was weak, he knew; but never before had it let
him down, so scurvily as this. This was a record. It stood in a
class by itself, printed in red ink and marked with a star, as the
bloomer of a lifetime. For a man may forget many things: he may
forget his name, his umbrella, his nationality, his spats, and the
friends of his youth: but there is one thing which your married man,
your in-sickness-and-in-health lizard must not forget: and that is
the anniversary of his wedding-day.

Remorse swept over Archie like a wave. His heart bled for Lucille.
No wonder the poor girl had been rummy at breakfast. What girl
wouldn't be rummy at breakfast, tied for life to a ghastly outsider
like himself? He groaned hollowly, and sagged forlornly in his
chair: and, as he did so, the Venus caught his eye. For it was an
eye-catching picture. You might like it or dislike it, but you could
not ignore it.

As a strong swimmer shoots to the surface after a high dive,
Archie's soul rose suddenly from the depths to which it had
descended. He did not often get inspirations, but he got one now.
Hope dawned with a jerk. The one way out had presented itself to
him. A rich present! That was the wheeze. If he returned to her
bearing a rich present, he might, with the help of Heaven and a face
of brass, succeed in making her believe that he had merely pretended
to forget the vital date in order to enhance the surprise.

It was a scheme. Like some great general forming his plan of
campaign on the eve of battle, Archie had the whole binge neatly
worked out inside a minute. He scribbled a note to Mr. Wheeler,
explaining the situation and promising reasonable payment on the
instalment system; then, placing the note in a conspicuous position
on the easel, he leaped to the telephone: and presently found
himself connected with Lucille's room at the Cosmopolis.

"Hullo, darling," he cooed.

There was a slight pause at the other end of the wire.

"Oh, hullo, Archie!"

Lucille's voice was dull and listless, and Archie's experienced ear
could detect that she had been crying. He raised his right foot, and
kicked himself indignantly on the left ankle.

"Many happy returns of the day, old thing!"

A muffled sob floated over the wire.

"Have you only just remembered?" said Lucille in a small voice.

Archie, bracing himself up, cackled gleefully into the receiver.

"Did I take you in, light of my home? Do you mean to say you really
thought I had forgotten? For Heaven's sake!"

"You didn't say a word at breakfast."

"Ah, but that was all part of the devilish cunning. I hadn't got a
present for you then. At least, I didn't know whether it was ready."

"Oh, Archie, you darling!" Lucille's voice had lost its crushed
melancholy. She trilled like a thrush, or a linnet, or any bird that
goes in largely for trilling. "Have you really got me a present?"

"It's here now. The dickens of a fruity picture. One of J. B.
Wheeler's things. You'll like it."

"Oh, I know I shall. I love his work. You are an angel. We'll hang
it over the piano."

"I'll be round with it in something under three ticks, star of my
soul. I'll take a taxi."

"Yes, do hurry! I want to hug you!"

"Right-o!" said Archie. "I'll take two taxis."

It is not far from Washington Square to the Hotel Cosmopolis, and
Archie made the journey without mishap. There was a little
unpleasantness with the cabman before starting--he, on the prudish
plea that he was a married man with a local reputation to keep up,
declining at first to be seen in company with the masterpiece. But,
on Archie giving a promise to keep the front of the picture away
from the public gaze, he consented to take the job on; and, some ten
minutes later, having made his way blushfully through the hotel
lobby and endured the frank curiosity of the boy who worked the
elevator, Archie entered his suite, the picture under his arm.

He placed it carefully against the wall in order to leave himself
more scope for embracing Lucille, and when the joyful reunion--or
the sacred scene, if you prefer so to call it, was concluded, he
stepped forward to turn it round and exhibit it.

"Why, it's enormous," said Lucille. "I didn't know Mr. Wheeler ever
painted pictures that size. When you said it was one of his, I
thought it must be the original of a magazine drawing or something

Archie had moved back and given her an uninterrupted view of the
work of art, and she had started as if some unkindly disposed person
had driven a bradawl into her.

"Pretty ripe, what?" said Archie enthusiastically.

Lucille did not speak for a moment. It may have been sudden joy that
kept her silent. Or, on the other hand, it may not. She stood
looking at the picture with wide eyes and parted lips.

"A bird, eh?" said Archie.

"Y--yes," said Lucille.

"I knew you'd like it," proceeded Archie with animation, "You see?
you're by way of being a picture-hound--know all about the things,
and what not--inherit it from the dear old dad, I shouldn't wonder.
Personally, I can't tell one picture from another as a rule, but I'm
bound to say, the moment I set eyes on this, I said to myself 'What
ho!' or words to that effect, I rather think this will add a touch
of distinction to the home, yes, no? I'll hang it up, shall I?
'Phone down to the office, light of my soul, and tell them to send
up a nail, a bit of string, and the hotel hammer."

"One moment, darling. I'm not quite sure."


"Where it ought to hang, I mean. You see--"

"Over the piano, you said. The jolly old piano."

"Yes, but I hadn't seen it then."

A monstrous suspicion flitted for an instant into Archie's mind.

"I say, you do like it, don't you?" he said anxiously.

"Oh, Archie, darling! Of course I do!-And it was so sweet of you to
give it to me. But, what I was trying to say was that this picture
is so--so striking that I feel that we ought to wait a little while
and decide where it would have the best effect. The light over the
piano is rather strong."

"You think it ought to hang in a dimmish light, what?"

"Yes, yes. The dimmer the--I mean, yes, in a dim light. Suppose we
leave it in the corner for the moment--over there--behind the sofa,
and--and I'll think it over. It wants a lot of thought, you know."

"Right-o! Here?"

"Yes, that will do splendidly. Oh, and, Archie."


"I think perhaps... Just turn its face to the wall, will you?"
Lucille gave a little gulp. "It will prevent it getting dusty."

It perplexed Archie a little during the next few days to notice in
Lucille, whom he had always looked on as pre-eminently a girl who
knew her own mind, a curious streak of vacillation. Quite half a
dozen times he suggested various spots on the wall as suitable for
the Venus, but Lucille seemed unable to decide. Archie wished that
she would settle on something definite, for he wanted to invite J.
B. Wheeler to the suite to see the thing. He had heard nothing from
the artist since the day he had removed the picture, and one
morning, encountering him on Broadway, he expressed his appreciation
of the very decent manner in which the other had taken the whole

"Oh, that!" said J. B. Wheeler. "My dear fellow, you're welcome." He
paused for a moment. "More than welcome," he added. "You aren't much
of an expert on pictures, are you?"

"Well," said Archie, "I don't know that you'd call me an absolute
nib, don't you know, but of course I know enough to see that this
particular exhibit is not a little fruity. Absolutely one of the
best things you've ever done, laddie."

A slight purple tinge manifested itself in Mr. Wheeler's round and
rosy face. His eyes bulged.

"What are you talking about, you Tishbite? You misguided son of
Belial, are you under the impression that _I_ painted that thing?"

"Didn't you?"

Mr. Wheeler swallowed a little convulsively.

"My fiancee painted it," he said shortly.

"Your fiancee? My dear old lad, I didn't know you were engaged. Who
is she? Do I know her?"

"Her name is Alice Wigmore. You don't know her."

"And she painted that picture?" Archie was perturbed. "But, I say!
Won't she be apt to wonder where the thing has got to?"

"I told her it had been stolen. She thought it a great compliment,
and was tickled to death. So that's all right."

"And, of course, she'll paint you another."

"Not while I have my strength she won't," said J. B. Wheeler firmly.
"She's given up painting since I taught her golf, thank goodness,
and my best efforts shall be employed in seeing that she doesn't
have a relapse."

"But, laddie," said Archie, puzzled, "you talk as though there were
something wrong with the picture. I thought it dashed hot stuff."

"God bless you!" said J. B. Wheeler.

Archie proceeded on his way, still mystified. Then he reflected that
artists as a class were all pretty weird and rummy and talked more
or less consistently through their hats. You couldn't ever take an
artist's opinion on a picture. Nine out of ten of them had views on
Art which would have admitted them to any looney-bin, and no
questions asked. He had met several of the species who absolutely
raved over things which any reasonable chappie would decline to be
found dead in a ditch with. His admiration for the Wigmore Venus,
which had faltered for a moment during his conversation with J. B.
Wheeler, returned in all its pristine vigour. Absolute rot, he meant
to say, to try to make out that it wasn't one of the ones and just
like mother used to make. Look how Lucille had liked it!

At breakfast next morning, Archie once more brought up the question
of the hanging of the picture. It was absurd to let a thing like
that go on wasting its sweetness behind a sofa with its face to the

"Touching the jolly old masterpiece," he said, "how about it? I
think it's time we hoisted it up somewhere."

Lucille fiddled pensively with her coffee-spoon.

"Archie, dear," she said, "I've been thinking."

"And a very good thing to do," said Archie. "I've often meant to do
it myself when I got a bit of time."

"About that picture, I mean. Did you know it was father's birthday

"Why no, old thing, I didn't, to be absolutely honest. Your revered
parent doesn't confide in me much these days, as a matter of fact."

"Well, it is. And I think we ought to give him a present."

"Absolutely. But how? I'm all for spreading sweetness and light, and
cheering up the jolly old pater's sorrowful existence, but I haven't
a bean. And, what is more, things have come to such a pass that I
scan the horizon without seeing a single soul I can touch. I suppose
I could get into Reggie van Tuyl's ribs for a bit, but--I don't
know--touching poor old Reggie always seems to me rather like
potting a pitting bird."

"Of course, I don't want you to do anything like that. I was
thinking--Archie, darling, would you be very hurt if I gave father
the picture?"

"Oh, I say!"

"Well, I can't think of anything else."

"But wouldn't you miss it most frightfully?"

"Oh, of course I should. But you see--father's birthday--"

Archie had always thought Lucille the dearest and most unselfish
angel in the world, but never had the fact come home to him so
forcibly as now. He kissed her fondly.

"By Jove!" he exclaimed. "You really are, you know! This is the
biggest thing since jolly old Sir Philip What's-his-name gave the
drink of water to the poor blighter whose need was greater than his,
if you recall the incident. I had to sweat it up at school, I
remember. Sir Philip, poor old bean, had a most ghastly thirst on,
and he was just going to have one on the house, so to speak, when...
but it's all in the history-books. This is the sort of thing Boy
Scouts do! Well, of course, it's up to you, queen of my soul. If you
feel like making the sacrifice, right-o! Shall I bring the pater up
here and show him the picture?"

"No, I shouldn't do that. Do you think you could get into his suite
to-morrow morning and hang it up somewhere? You see, if he had the
chance of--what I mean is, if--yes, I think it would be best to hang
it up and let him discover it there."

"It would give him a surprise, you mean, what?"


Lucille sighed inaudibly. She was a girl with a conscience, and that
conscience was troubling her a little. She agreed with Archie that
the discovery of the Wigmore Venus in his artistically furnished
suite would give Mr. Brewster a surprise. Surprise, indeed, was
perhaps an inadequate word. She was sorry for her father, but the
instinct of self-preservation is stronger than any other emotion.

Archie whistled merrily on the following morning as, having driven a
nail into his father-in-law's wallpaper, he adjusted the cord from
which the Wigmore Venus was suspended. He was a kind-hearted young
man, and, though Mr. Daniel Brewster had on many occasions treated
him with a good deal of austerity, his simple soul was pleased at
the thought of doing him a good turn, He had just completed his work
and was stepping cautiously down, when a voice behind him nearly
caused him to overbalance.

"What the devil?"

Archie turned beamingly.

"Hullo, old thing! Many happy returns of the day!"

Mr. Brewster was standing in a frozen attitude. His strong face was
slightly flushed.

"What--what--?" he gurgled.

Mr. Brewster was not in one of his sunniest moods that morning. The
proprietor of a large hotel has many things to disturb him, and to-
day things had been going wrong. He had come up to his suite with
the idea of restoring his shaken nerve system with a quiet cigar,
and the sight of his son-in-law had, as so frequently happened, made
him feel worse than ever. But, when Archie had descended from the
chair and moved aside to allow him an uninterrupted view of the
picture, Mr. Brewster realised that a worse thing had befallen him
than a mere visit from one who always made him feel that the world
was a bleak place.

He stared at the Venus dumbly. Unlike most hotel-proprietors, Daniel
Brewster was a connoisseur of Art. Connoisseuring was, in fact, his
hobby. Even the public rooms of the Cosmopolis were decorated with
taste, and his own private suite was a shrine of all that was best
and most artistic. His tastes were quiet and restrained, and it is
not too much to say that the Wigmore Venus hit him behind the ear
like a stuffed eel-skin.

So great was the shock that for some moments it kept him silent, and
before he could recover speech Archie had explained.

"It's a birthday present from Lucille, don't you know,"

Mr. Brewster crushed down the breezy speech he had intended to

"Lucille gave me--that?" he muttered.

He swallowed pathetically. He was suffering, but the iron courage of
the Brewsters stood him in good stead. This man was no weakling.
Presently the rigidity of his face relaxed. He was himself again. Of
all things in the world he loved his daughter most, and if, in
whoever mood of temporary insanity, she had brought herself to
suppose that this beastly daub was the sort of thing he would like
for a birthday present, he must accept the situation like a man. He
would on the whole have preferred death to a life lived in the
society of the Wigmore Venus, but even that torment must be endured
if the alternative was the hurting of Lucille's feelings.

"I think I've chosen a pretty likely spot to hang the thing, what?"
said Archie cheerfully. "It looks well alongside those Japanese
prints, don't you think? Sort of stands out."

Mr. Brewster licked his dry lips and grinned a ghastly grin.

"It does stand out!" he agreed.

© Art Branch Inc. | English Dictionary