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Les MisÚrables - The Remarks of the Principal Tenant

1. M. Myriel

2. M. Myriel becomes M. Welcome

3. A Hard Bishopric for a Good Bishop

4. Works corresponding to Words

5. Monseigneur Bienvenu made his Cassocks last too long

6. Who guarded his House for him

7. Cravatte

8. Philosophy after Drinking

9. The Brother as depicted by the Sister

10. The Bishop in the Presence of an Unknown Light

11. A Restriction

12. The Solitude of Monseigneur Welcome

13. What he believed

14. What he thought

15. The Evening of a Day of Walking

16. Prudence counselled to Wisdom

17. The Heroism of Passive Obedience

18. Details concerning the Cheese-Dairies of Pontarlier

19. Tranquillity

20. Jean Valjean

21. The Interior of Despair

22. Billows and Shadows

23. New Troubles

24. The Man aroused

25. What he does

26. The Bishop works

27. Little Gervais

28. The Year 1817

29. A Double Quartette

30. Four and Four

31. Tholomyes is so Merry that he sings a Spanish Ditty

32. At Bombardas

33. A Chapter in which they adore Each Other

34. The Wisdom of Tholomyes

35. The Death of a Horse

36. A Merry End to Mirth

37. One Mother meets Another Mother

38. First Sketch of Two Unprepossessing Figures

39. The Lark

40. The History of a Progress in Black Glass Trinkets

41. Madeleine

42. Sums deposited with Laffitte

43. M. Madeleine in Mourning

44. Vague Flashes on the Horizon

45. Father Fauchelevent

46. Fauchelevent becomes a Gardener in Paris

47. Madame Victurnien expends Thirty Francs on Morality

48. Madame Victurnien's Success

49. Result of the Success

50. Christus nos Liberavit

51. M. Bamatabois's Inactivity

52. The Solution of Some Questions connected with the Municipal Police

53. The Beginning of Repose

54. How Jean may become Champ

55. Sister Simplice

56. The Perspicacity of Master Scaufflaire

57. A Tempest in a Skull

58. Forms assumed by Suffering during Sleep

59. Hindrances

60. Sister Simplice put to the Proof

61. The Traveller on his Arrival takes Precautions for Departure

62. An Entrance by Favor

63. A Place where Convictions are in Process of Formation

64. The System of Denials

65. Champmathieu more and more Astonished

66. In what Mirror M. Madeleine contemplates his Hair

67. Fantine Happy

68. Javert Satisfied

69. Authority reasserts its Rights

70. A Suitable Tomb

71. What is met with on the Way from Nivelles

72. Hougomont

73. The Eighteenth of June, 1815

74. A

75. The Quid Obscurum of Battles

76. Four o'clock in the Afternoon

77. Napoleon in a Good Humor

78. The Emperor puts a Question to the Guide Lacoste

79. The Unexpected

80. The Plateau of Mont-Saint-Jean

81. A Bad Guide to Napoleon; a Good Guide to Bulow

82. The Guard

83. The Catastrophe

84. The Last Square

85. Cambronne

86. Quot Libras in Duce?

87. Is Waterloo to be considered Good?

88. A Recrudescence of Divine Right

89. The Battle-Field at Night

90. Number 24,601 becomes Number 9,430

91. In which the reader will peruse Two Verses which are of the Devil's Composition possibly

92. The Ankle-Chain must have undergone a Certain Preparatory Manipulation to be thus broken with a Blow from a Hammer

93. The Water Question at Montfermeil

94. Two Complete Portraits

95. Men must have Wine, and Horses must have Water

96. Entrance on the Scene of a Doll

97. The Little One All Alone

98. Which possibly proves Boulatruelle's Intelligence

99. Cosette Side by Side with the Stranger in the Dark

100. The Unpleasantness of receiving into One's House a Poor Man who may be a Rich Man

101. Thenardier at his Manoeuvres

102. He who seeks to better himself may render his Situation Worse

103. Number 9,430 reappears, and Cosette wins it in the Lottery

104. Master Gorbeau

105. A Nest for Owl and a Warbler

106. Two Misfortunes Make One Piece of Good Fortune

107. The Remarks of the Principal Tenant

108. A Five-Franc Piece Falls on the Ground and Produces a Tumult

109. The Zigzags of Strategy

110. It Is Lucky That the Pont D'Austerlitz Bears Carriages

111. To Wit, the Plan of Paris in 1727

112. The Gropings of Flight

113. Which Would be Impossible With Gas Lanterns

114. The Beginning of an Enigma

115. Continuation of the Enigma

116. The Enigma Becomes Doubly Mysterious

117. The Man with the Bell

118. Which Explains How Javert Got on the Scent

119. Number 62 Rue Petit-Picpus

120. The Obedience of Martin Verga

121. Austerities

122. Gayeties

123. Distractions

124. The Little Convent

125. Some Silhouettes of this Darkness

126. Post Corda Lapides

127. A Century under a Guimpe

128. Origin of the Perpetual Adoration

129. End of the Petit-Picpus

130. The Convent as an Abstract Idea

131. The Convent as an Historical Fact

132. On What Conditions One can respect the Past

133. The Convent from the Point of View of Principles

134. Prayer

135. The Absolute Goodness of Prayer

136. Precautions to be observed in Blame

137. Faith, Law

138. Which treats of the Manner of entering a Convent

139. Fauchelevent in the Presence of a Difficulty

140. Mother Innocente

141. In which Jean Valjean has quite the Air of having read Austin Castillejo

142. It is not Necessary to be Drunk in order to be Immortal

143. Between Four Planks

144. In which will be found the Origin of the Saying: Don't lose the Card

145. A Successful Interrogatory

146. Cloistered

Jean Valjean was prudent enough never to go out by day.
Every evening, at twilight, he walked for an hour or two,
sometimes alone, often with Cosette, seeking the most deserted
side alleys of the boulevard, and entering churches at nightfall.
He liked to go to Saint-Medard, which is the nearest church.
When he did not take Cosette with him, she remained with the old woman;
but the child's delight was to go out with the good man. She preferred
an hour with him to all her rapturous tete-a-tetes with Catherine.
He held her hand as they walked, and said sweet things to her.

It turned out that Cosette was a very gay little person.

The old woman attended to the housekeeping and cooking and went
to market.

They lived soberly, always having a little fire, but like people
in very moderate circumstances. Jean Valjean had made no alterations
in the furniture as it was the first day; he had merely had the glass
door leading to Cosette's dressing-room replaced by a solid door.

He still wore his yellow coat, his black breeches, and his old hat.
In the street, he was taken for a poor man. It sometimes happened
that kind-hearted women turned back to bestow a sou on him.
Jean Valjean accepted the sou with a deep bow. It also happened
occasionally that he encountered some poor wretch asking alms;
then he looked behind him to make sure that no one was observing him,
stealthily approached the unfortunate man, put a piece of money
into his hand, often a silver coin, and walked rapidly away.
This had its disadvantages. He began to be known in the neighborhood
under the name of the beggar who gives alms.

The old principal lodger, a cross-looking creature, who was
thoroughly permeated, so far as her neighbors were concerned, with the
inquisitiveness peculiar to envious persons, scrutinized Jean Valjean
a great deal, without his suspecting the fact. She was a little deaf,
which rendered her talkative. There remained to her from her past,
two teeth,--one above, the other below,--which she was continually
knocking against each other. She had questioned Cosette, who had
not been able to tell her anything, since she knew nothing herself
except that she had come from Montfermeil. One morning, this spy saw
Jean Valjean, with an air which struck the old gossip as peculiar,
entering one of the uninhabited compartments of the hovel.
She followed him with the step of an old cat, and was able to observe
him without being seen, through a crack in the door, which was directly
opposite him. Jean Valjean had his back turned towards this door,
by way of greater security, no doubt. The old woman saw him fumble
in his pocket and draw thence a case, scissors, and thread; then he
began to rip the lining of one of the skirts of his coat, and from
the opening he took a bit of yellowish paper, which he unfolded.
The old woman recognized, with terror, the fact that it was
a bank-bill for a thousand francs. It was the second or third
only that she had seen in the course of her existence. She fled in alarm.

A moment later, Jean Valjean accosted her, and asked her to go
and get this thousand-franc bill changed for him, adding that it
was his quarterly income, which he had received the day before.
"Where?" thought the old woman. "He did not go out until six
o'clock in the evening, and the government bank certainly is not
open at that hour." The old woman went to get the bill changed,
and mentioned her surmises. That thousand-franc note, commented on
and multiplied, produced a vast amount of terrified discussion among
the gossips of the Rue des Vignes Saint-Marcel.

A few days later, it chanced that Jean Valjean was sawing some wood,
in his shirt-sleeves, in the corridor. The old woman was in the chamber,
putting things in order. She was alone. Cosette was occupied
in admiring the wood as it was sawed. The old woman caught sight
of the coat hanging on a nail, and examined it. The lining had been
sewed up again. The good woman felt of it carefully, and thought
she observed in the skirts and revers thicknesses of paper.
More thousand-franc bank-bills, no doubt!

She also noticed that there were all sorts of things in the pockets.
Not only the needles, thread, and scissors which she had seen, but a
big pocket-book, a very large knife, and--a suspicious circumstance--
several wigs of various colors. Each pocket of this coat had the air
of being in a manner provided against unexpected accidents.

Thus the inhabitants of the house reached the last days of winter.

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