home | authors | books | about

Home -> Victor Hugo -> Les MisÚrables -> Little Gervais

Les MisÚrables - Little Gervais

1. M. Myriel

2. M. Myriel becomes M. Welcome

3. A Hard Bishopric for a Good Bishop

4. Works corresponding to Words

5. Monseigneur Bienvenu made his Cassocks last too long

6. Who guarded his House for him

7. Cravatte

8. Philosophy after Drinking

9. The Brother as depicted by the Sister

10. The Bishop in the Presence of an Unknown Light

11. A Restriction

12. The Solitude of Monseigneur Welcome

13. What he believed

14. What he thought

15. The Evening of a Day of Walking

16. Prudence counselled to Wisdom

17. The Heroism of Passive Obedience

18. Details concerning the Cheese-Dairies of Pontarlier

19. Tranquillity

20. Jean Valjean

21. The Interior of Despair

22. Billows and Shadows

23. New Troubles

24. The Man aroused

25. What he does

26. The Bishop works

27. Little Gervais

28. The Year 1817

29. A Double Quartette

30. Four and Four

31. Tholomyes is so Merry that he sings a Spanish Ditty

32. At Bombardas

33. A Chapter in which they adore Each Other

34. The Wisdom of Tholomyes

35. The Death of a Horse

36. A Merry End to Mirth

37. One Mother meets Another Mother

38. First Sketch of Two Unprepossessing Figures

39. The Lark

40. The History of a Progress in Black Glass Trinkets

41. Madeleine

42. Sums deposited with Laffitte

43. M. Madeleine in Mourning

44. Vague Flashes on the Horizon

45. Father Fauchelevent

46. Fauchelevent becomes a Gardener in Paris

47. Madame Victurnien expends Thirty Francs on Morality

48. Madame Victurnien's Success

49. Result of the Success

50. Christus nos Liberavit

51. M. Bamatabois's Inactivity

52. The Solution of Some Questions connected with the Municipal Police

53. The Beginning of Repose

54. How Jean may become Champ

55. Sister Simplice

56. The Perspicacity of Master Scaufflaire

57. A Tempest in a Skull

58. Forms assumed by Suffering during Sleep

59. Hindrances

60. Sister Simplice put to the Proof

61. The Traveller on his Arrival takes Precautions for Departure

62. An Entrance by Favor

63. A Place where Convictions are in Process of Formation

64. The System of Denials

65. Champmathieu more and more Astonished

66. In what Mirror M. Madeleine contemplates his Hair

67. Fantine Happy

68. Javert Satisfied

69. Authority reasserts its Rights

70. A Suitable Tomb

71. What is met with on the Way from Nivelles

72. Hougomont

73. The Eighteenth of June, 1815

74. A

75. The Quid Obscurum of Battles

76. Four o'clock in the Afternoon

77. Napoleon in a Good Humor

78. The Emperor puts a Question to the Guide Lacoste

79. The Unexpected

80. The Plateau of Mont-Saint-Jean

81. A Bad Guide to Napoleon; a Good Guide to Bulow

82. The Guard

83. The Catastrophe

84. The Last Square

85. Cambronne

86. Quot Libras in Duce?

87. Is Waterloo to be considered Good?

88. A Recrudescence of Divine Right

89. The Battle-Field at Night

90. Number 24,601 becomes Number 9,430

91. In which the reader will peruse Two Verses which are of the Devil's Composition possibly

92. The Ankle-Chain must have undergone a Certain Preparatory Manipulation to be thus broken with a Blow from a Hammer

93. The Water Question at Montfermeil

94. Two Complete Portraits

95. Men must have Wine, and Horses must have Water

96. Entrance on the Scene of a Doll

97. The Little One All Alone

98. Which possibly proves Boulatruelle's Intelligence

99. Cosette Side by Side with the Stranger in the Dark

100. The Unpleasantness of receiving into One's House a Poor Man who may be a Rich Man

101. Thenardier at his Manoeuvres

102. He who seeks to better himself may render his Situation Worse

103. Number 9,430 reappears, and Cosette wins it in the Lottery

104. Master Gorbeau

105. A Nest for Owl and a Warbler

106. Two Misfortunes Make One Piece of Good Fortune

107. The Remarks of the Principal Tenant

108. A Five-Franc Piece Falls on the Ground and Produces a Tumult

109. The Zigzags of Strategy

110. It Is Lucky That the Pont D'Austerlitz Bears Carriages

111. To Wit, the Plan of Paris in 1727

112. The Gropings of Flight

113. Which Would be Impossible With Gas Lanterns

114. The Beginning of an Enigma

115. Continuation of the Enigma

116. The Enigma Becomes Doubly Mysterious

117. The Man with the Bell

118. Which Explains How Javert Got on the Scent

119. Number 62 Rue Petit-Picpus

120. The Obedience of Martin Verga

121. Austerities

122. Gayeties

123. Distractions

124. The Little Convent

125. Some Silhouettes of this Darkness

126. Post Corda Lapides

127. A Century under a Guimpe

128. Origin of the Perpetual Adoration

129. End of the Petit-Picpus

130. The Convent as an Abstract Idea

131. The Convent as an Historical Fact

132. On What Conditions One can respect the Past

133. The Convent from the Point of View of Principles

134. Prayer

135. The Absolute Goodness of Prayer

136. Precautions to be observed in Blame

137. Faith, Law

138. Which treats of the Manner of entering a Convent

139. Fauchelevent in the Presence of a Difficulty

140. Mother Innocente

141. In which Jean Valjean has quite the Air of having read Austin Castillejo

142. It is not Necessary to be Drunk in order to be Immortal

143. Between Four Planks

144. In which will be found the Origin of the Saying: Don't lose the Card

145. A Successful Interrogatory

146. Cloistered

Jean Valjean left the town as though he were fleeing from it.
He set out at a very hasty pace through the fields, taking whatever
roads and paths presented themselves to him, without perceiving
that he was incessantly retracing his steps. He wandered thus the
whole morning, without having eaten anything and without feeling hungry.
He was the prey of a throng of novel sensations. He was conscious
of a sort of rage; he did not know against whom it was directed.
He could not have told whether he was touched or humiliated.
There came over him at moments a strange emotion which he resisted
and to which he opposed the hardness acquired during the last twenty
years of his life. This state of mind fatigued him. He perceived
with dismay that the sort of frightful calm which the injustice
of his misfortune had conferred upon him was giving way within him.
He asked himself what would replace this. At times he would have
actually preferred to be in prison with the gendarmes, and that things
should not have happened in this way; it would have agitated him less.
Although the season was tolerably far advanced, there were still
a few late flowers in the hedge-rows here and there, whose odor
as he passed through them in his march recalled to him memories
of his childhood. These memories were almost intolerable to him,
it was so long since they had recurred to him.

Unutterable thoughts assembled within him in this manner all day long.

As the sun declined to its setting, casting long shadows athwart the soil
from every pebble, Jean Valjean sat down behind a bush upon a large
ruddy plain, which was absolutely deserted. There was nothing on the
horizon except the Alps. Not even the spire of a distant village.
Jean Valjean might have been three leagues distant from D----
A path which intersected the plain passed a few paces from the bush.

In the middle of this meditation, which would have contributed
not a little to render his rags terrifying to any one who might
have encountered him, a joyous sound became audible.

He turned his head and saw a little Savoyard, about ten years
of age, coming up the path and singing, his hurdy-gurdy on his hip,
and his marmot-box on his back,

One of those gay and gentle children, who go from land to land
affording a view of their knees through the holes in their trousers.

Without stopping his song, the lad halted in his march from time
to time, and played at knuckle-bones with some coins which he
had in his hand--his whole fortune, probably.

Among this money there was one forty-sou piece.

The child halted beside the bush, without perceiving Jean Valjean,
and tossed up his handful of sous, which, up to that time, he had
caught with a good deal of adroitness on the back of his hand.

This time the forty-sou piece escaped him, and went rolling towards
the brushwood until it reached Jean Valjean.

Jean Valjean set his foot upon it.

In the meantime, the child had looked after his coin and had caught
sight of him.

He showed no astonishment, but walked straight up to the man.

The spot was absolutely solitary. As far as the eye could see
there was not a person on the plain or on the path. The only
sound was the tiny, feeble cries of a flock of birds of passage,
which was traversing the heavens at an immense height. The child
was standing with his back to the sun, which cast threads of gold
in his hair and empurpled with its blood-red gleam the savage face
of Jean Valjean.

"Sir," said the little Savoyard, with that childish confidence
which is composed of ignorance and innocence, "my money."

"What is your name?" said Jean Valjean.

"Little Gervais, sir."

"Go away," said Jean Valjean.

"Sir," resumed the child, "give me back my money."

Jean Valjean dropped his head, and made no reply.

The child began again, "My money, sir."

Jean Valjean's eyes remained fixed on the earth.

"My piece of money!" cried the child, "my white piece! my silver!"

It seemed as though Jean Valjean did not hear him. The child grasped
him by the collar of his blouse and shook him. At the same time
he made an effort to displace the big iron-shod shoe which rested
on his treasure.

"I want my piece of money! my piece of forty sous!"

The child wept. Jean Valjean raised his head. He still
remained seated. His eyes were troubled. He gazed at
the child, in a sort of amazement, then he stretched out
his hand towards his cudgel and cried in a terrible voice, "Who's there?"

"I, sir," replied the child. "Little Gervais! I! Give me back my
forty sous, if you please! Take your foot away, sir, if you please!"

Then irritated, though he was so small, and becoming almost menacing:--

"Come now, will you take your foot away? Take your foot away,
or we'll see!"

"Ah! It's still you!" said Jean Valjean, and rising abruptly
to his feet, his foot still resting on the silver piece, he added:--

"Will you take yourself off!"

The frightened child looked at him, then began to tremble from
head to foot, and after a few moments of stupor he set out,
running at the top of his speed, without daring to turn his neck
or to utter a cry.

Nevertheless, lack of breath forced him to halt after a certain distance,
and Jean Valjean heard him sobbing, in the midst of his own revery.

At the end of a few moments the child had disappeared.

The sun had set.

The shadows were descending around Jean Valjean. He had eaten
nothing all day; it is probable that he was feverish.

He had remained standing and had not changed his attitude after the
child's flight. The breath heaved his chest at long and irregular
intervals. His gaze, fixed ten or twelve paces in front of him,
seemed to be scrutinizing with profound attention the shape of an
ancient fragment of blue earthenware which had fallen in the grass.
All at once he shivered; he had just begun to feel the chill of evening.

He settled his cap more firmly on his brow, sought mechanically
to cross and button his blouse, advanced a step and stopped to pick
up his cudgel.

At that moment he caught sight of the forty-sou piece, which his
foot had half ground into the earth, and which was shining among
the pebbles. It was as though he had received a galvanic shock.
"What is this?" he muttered between his teeth. He recoiled
three paces, then halted, without being able to detach his gaze
from the spot which his foot had trodden but an instant before,
as though the thing which lay glittering there in the gloom had been
an open eye riveted upon him.

At the expiration of a few moments he darted convulsively towards
the silver coin, seized it, and straightened himself up again
and began to gaze afar off over the plain, at the same time casting
his eyes towards all points of the horizon, as he stood there erect
and shivering, like a terrified wild animal which is seeking refuge.

He saw nothing. Night was falling, the plain was cold and vague,
great banks of violet haze were rising in the gleam of the twilight.

He said, "Ah!" and set out rapidly in the direction in which
the child had disappeared. After about thirty paces he paused,
looked about him and saw nothing.

Then he shouted with all his might:--

"Little Gervais! Little Gervais!"

He paused and waited.

There was no reply.

The landscape was gloomy and deserted. He was encompassed by space.
There was nothing around him but an obscurity in which his gaze
was lost, and a silence which engulfed his voice.

An icy north wind was blowing, and imparted to things around him
a sort of lugubrious life. The bushes shook their thin little
arms with incredible fury. One would have said that they were
threatening and pursuing some one.

He set out on his march again, then he began to run; and from time
to time he halted and shouted into that solitude, with a voice
which was the most formidable and the most disconsolate that it
was possible to hear, "Little Gervais! Little Gervais!"

Assuredly, if the child had heard him, he would have been alarmed
and would have taken good care not to show himself. But the child
was no doubt already far away.

He encountered a priest on horseback. He stepped up to him and said:--

"Monsieur le Cure, have you seen a child pass?"

"No," said the priest.

"One named Little Gervais?"

"I have seen no one."

He drew two five-franc pieces from his money-bag and handed them
to the priest.

"Monsieur le Cure, this is for your poor people. Monsieur le Cure,
he was a little lad, about ten years old, with a marmot, I think,
and a hurdy-gurdy. One of those Savoyards, you know?"

"I have not seen him."

"Little Gervais? There are no villages here? Can you tell me?"

"If he is like what you say, my friend, he is a little stranger.
Such persons pass through these parts. We know nothing of them."

Jean Valjean seized two more coins of five francs each with violence,
and gave them to the priest.

"For your poor," he said.

Then he added, wildly:--

"Monsieur l'Abbe, have me arrested. I am a thief."

The priest put spurs to his horse and fled in haste, much alarmed.

Jean Valjean set out on a run, in the direction which he had
first taken.

In this way he traversed a tolerably long distance, gazing,
calling, shouting, but he met no one. Two or three times he ran
across the plain towards something which conveyed to him the effect
of a human being reclining or crouching down; it turned out to be
nothing but brushwood or rocks nearly on a level with the earth.
At length, at a spot where three paths intersected each other,
he stopped. The moon had risen. He sent his gaze into the distance
and shouted for the last time, "Little Gervais! Little Gervais!
Little Gervais!" His shout died away in the mist, without even
awakening an echo. He murmured yet once more, "Little Gervais!"
but in a feeble and almost inarticulate voice. It was his last effort;
his legs gave way abruptly under him, as though an invisible power
had suddenly overwhelmed him with the weight of his evil conscience;
he fell exhausted, on a large stone, his fists clenched in his hair
and his face on his knees, and he cried, "I am a wretch!"

Then his heart burst, and he began to cry. It was the first time
that he had wept in nineteen years.

When Jean Valjean left the Bishop's house, he was, as we have seen,
quite thrown out of everything that had been his thought hitherto.
He could not yield to the evidence of what was going on within him.
He hardened himself against the angelic action and the gentle words
of the old man. "You have promised me to become an honest man.
I buy your soul. I take it away from the spirit of perversity;
I give it to the good God."

This recurred to his mind unceasingly. To this celestial kindness
he opposed pride, which is the fortress of evil within us.
He was indistinctly conscious that the pardon of this priest
was the greatest assault and the most formidable attack which
had moved him yet; that his obduracy was finally settled if he
resisted this clemency; that if he yielded, he should be obliged
to renounce that hatred with which the actions of other men had
filled his soul through so many years, and which pleased him;
that this time it was necessary to conquer or to be conquered;
and that a struggle, a colossal and final struggle, had been begun
between his viciousness and the goodness of that man.

In the presence of these lights, he proceeded like a man who
is intoxicated. As he walked thus with haggard eyes, did he
have a distinct perception of what might result to him from his
adventure at D----? Did he understand all those mysterious murmurs
which warn or importune the spirit at certain moments of life?
Did a voice whisper in his ear that he had just passed the solemn
hour of his destiny; that there no longer remained a middle
course for him; that if he were not henceforth the best of men,
he would be the worst; that it behooved him now, so to speak,
to mount higher than the Bishop, or fall lower than the convict;
that if he wished to become good be must become an angel; that if he
wished to remain evil, he must become a monster?

Here, again, some questions must be put, which we have already put
to ourselves elsewhere: did he catch some shadow of all this in
his thought, in a confused way? Misfortune certainly, as we have said,
does form the education of the intelligence; nevertheless, it is
doubtful whether Jean Valjean was in a condition to disentangle
all that we have here indicated. If these ideas occurred to him,
he but caught glimpses of, rather than saw them, and they only
succeeded in throwing him into an unutterable and almost painful
state of emotion. On emerging from that black and deformed
thing which is called the galleys, the Bishop had hurt his soul,
as too vivid a light would have hurt his eyes on emerging from
the dark. The future life, the possible life which offered itself
to him henceforth, all pure and radiant, filled him with tremors
and anxiety. He no longer knew where he really was. Like an owl,
who should suddenly see the sun rise, the convict had been dazzled
and blinded, as it were, by virtue.

That which was certain, that which he did not doubt, was that he
was no longer the same man, that everything about him was changed,
that it was no longer in his power to make it as though the Bishop
had not spoken to him and had not touched him.

In this state of mind he had encountered little Gervais, and had robbed
him of his forty sous. Why? He certainly could not have explained it;
was this the last effect and the supreme effort, as it were,
of the evil thoughts which he had brought away from the galleys,--
a remnant of impulse, a result of what is called in statics,
acquired force? It was that, and it was also, perhaps, even less
than that. Let us say it simply, it was not he who stole;
it was not the man; it was the beast, who, by habit and instinct,
had simply placed his foot upon that money, while the intelligence
was struggling amid so many novel and hitherto unheard-of thoughts
besetting it.

When intelligence re-awakened and beheld that action of the brute,
Jean Valjean recoiled with anguish and uttered a cry of terror.

It was because,--strange phenomenon, and one which was possible only
in the situation in which he found himself,--in stealing the money
from that child, he had done a thing of which he was no longer capable.

However that may be, this last evil action had a decisive effect
on him; it abruptly traversed that chaos which he bore in his mind,
and dispersed it, placed on one side the thick obscurity, and on
the other the light, and acted on his soul, in the state in which it
then was, as certain chemical reagents act upon a troubled mixture
by precipitating one element and clarifying the other.

First of all, even before examining himself and reflecting,
all bewildered, like one who seeks to save himself, he tried to
find the child in order to return his money to him; then, when he
recognized the fact that this was impossible, he halted in despair.
At the moment when he exclaimed "I am a wretch!" he had just
perceived what he was, and he was already separated from himself
to such a degree, that he seemed to himself to be no longer
anything more than a phantom, and as if he had, there before him,
in flesh and blood, the hideous galley-convict, Jean Valjean,
cudgel in hand, his blouse on his hips, his knapsack filled with
stolen objects on his back, with his resolute and gloomy visage,
with his thoughts filled with abominable projects.

Excess of unhappiness had, as we have remarked, made him in some
sort a visionary. This, then, was in the nature of a vision.
He actually saw that Jean Valjean, that sinister face, before him.
He had almost reached the point of asking himself who that man was,
and he was horrified by him.

His brain was going through one of those violent and yet perfectly
calm moments in which revery is so profound that it absorbs reality.
One no longer beholds the object which one has before one, and one sees,
as though apart from one's self, the figures which one has in one's
own mind.

Thus he contemplated himself, so to speak, face to face,
and at the same time, athwart this hallucination, he perceived
in a mysterious depth a sort of light which he at first took
for a torch. On scrutinizing this light which appeared
to his conscience with more attention, he recognized the
fact that it possessed a human form and that this torch was the Bishop.

His conscience weighed in turn these two men thus placed before it,--
the Bishop and Jean Valjean. Nothing less than the first was
required to soften the second. By one of those singular effects,
which are peculiar to this sort of ecstasies, in proportion as his
revery continued, as the Bishop grew great and resplendent in his eyes,
so did Jean Valjean grow less and vanish. After a certain time he
was no longer anything more than a shade. All at once he disappeared.
The Bishop alone remained; he filled the whole soul of this wretched
man with a magnificent radiance.

Jean Valjean wept for a long time. He wept burning tears, he sobbed
with more weakness than a woman, with more fright than a child.

As he wept, daylight penetrated more and more clearly into his soul;
an extraordinary light; a light at once ravishing and terrible.
His past life, his first fault, his long expiation, his external
brutishness, his internal hardness, his dismissal to liberty,
rejoicing in manifold plans of vengeance, what had happened to him
at the Bishop's, the last thing that he had done, that theft of forty
sous from a child, a crime all the more cowardly, and all the more
monstrous since it had come after the Bishop's pardon,--all this
recurred to his mind and appeared clearly to him, but with a clearness
which he had never hitherto witnessed. He examined his life, and it
seemed horrible to him; his soul, and it seemed frightful to him.
In the meantime a gentle light rested over this life and this soul.
It seemed to him that he beheld Satan by the light of Paradise.

How many hours did he weep thus? What did he do after he had wept?
Whither did he go! No one ever knew. The only thing which seems
to be authenticated is that that same night the carrier who served
Grenoble at that epoch, and who arrived at D---- about three o'clock
in the morning, saw, as he traversed the street in which the
Bishop's residence was situated, a man in the attitude of prayer,
kneeling on the pavement in the shadow, in front of the door
of Monseigneur Welcome.

© Art Branch Inc. | English Dictionary